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Entertainment
‘The Odyssey’ Filmed on Real Film Stock – The Last Remaining Production Facility
✍️ The New York Times
🗓 12 Sep 2026, 04:41 PM
👁 26
The New York Times reports that the film ‘The Odyssey’ was shot on real film stock, a rare choice in the digital era, and that this is the only place left producing such film.
The 2024 feature ‘The Odyssey’ has been confirmed as one of the few recent Hollywood productions to be shot on traditional film stock, according to a report by The New York Times. The decision to use real film, rather than the ubiquitous digital formats, marks a deliberate artistic choice by the director and cinematographer.
In an industry that has largely migrated to high‑resolution digital cameras, the use of film is increasingly rare. The New York Times notes that the production team sourced 35mm film stock from a single manufacturer that remains the only facility still capable of producing it.
The article highlights that this manufacturer is the sole remaining producer of real film stock, underscoring the scarcity of the medium in contemporary filmmaking. The Odyssey’s use of film is therefore a notable event for both filmmakers and film enthusiasts.
Industry observers suggest that the film’s choice may influence a niche resurgence of analog techniques, but the practical challenges of sourcing and processing film stock remain significant barriers for most productions.
In an industry that has largely migrated to high‑resolution digital cameras, the use of film is increasingly rare. The New York Times notes that the production team sourced 35mm film stock from a single manufacturer that remains the only facility still capable of producing it.
The article highlights that this manufacturer is the sole remaining producer of real film stock, underscoring the scarcity of the medium in contemporary filmmaking. The Odyssey’s use of film is therefore a notable event for both filmmakers and film enthusiasts.
Industry observers suggest that the film’s choice may influence a niche resurgence of analog techniques, but the practical challenges of sourcing and processing film stock remain significant barriers for most productions.