📷 Image: Wikimedia Commons / Bollywood Hungama
Entertainment
Drishyam 3 overtakes Hanuman Ansh in screenings, pushes the latter out of theatres
✍️ The Indian Express
🗓 09 Oct 2026, 07:46 AM
👁 13
Box‑office data indicates that Drishyam 3 has secured more daily shows, causing a cutback in screenings for Hanuman Ansh.
The latest box‑office report shows that the third instalment of the popular thriller franchise, Drishyam 3, has taken a larger share of daily theatre shows, resulting in a reduction of screenings for the devotional drama Hanuman Ansh.
Drishyam 3 entered Indian cinemas amid high expectations, buoyed by the success of its predecessors and a strong promotional campaign. Distributors have responded by allocating additional slots across multiplexes and single‑screen venues, especially in urban centres where the franchise enjoys a loyal fan base.
Consequently, several cinemas that were previously showing Hanuman Ansh have replaced it with the new release, leading to a noticeable dip in the former’s screen count. No official revenue figures have been disclosed for either film, but the shift in show allocations underscores the competitive dynamics of the current release window.
Industry analysts suggest that the trend reflects audience preference for high‑budget, star‑driven narratives over niche devotional content during peak weekend periods. The situation remains fluid as exhibitors continue to adjust schedules based on real‑time occupancy data.
Drishyam 3 entered Indian cinemas amid high expectations, buoyed by the success of its predecessors and a strong promotional campaign. Distributors have responded by allocating additional slots across multiplexes and single‑screen venues, especially in urban centres where the franchise enjoys a loyal fan base.
Consequently, several cinemas that were previously showing Hanuman Ansh have replaced it with the new release, leading to a noticeable dip in the former’s screen count. No official revenue figures have been disclosed for either film, but the shift in show allocations underscores the competitive dynamics of the current release window.
Industry analysts suggest that the trend reflects audience preference for high‑budget, star‑driven narratives over niche devotional content during peak weekend periods. The situation remains fluid as exhibitors continue to adjust schedules based on real‑time occupancy data.